Jimi Hendrix's 1969 Album****to be released March 9. It's called Valleys of Neptune.

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And if the Road Warrior says it, it must be true..
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Jimi Hendrix's 1969 Album Set For Release

by Marcie Sillman

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hendrix.jpg
Enlarge Evening Standard/Hulton ArchiveJimi Hendrix performs at the Isle of Wight Festival in 1970.

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<!-- END CLASS="ENLARGE_MEASURE" --> Evening Standard/Hulton ArchiveJimi Hendrix performs at the Isle of Wight Festival in 1970.

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<!-- END ID="INSET" CLASS="STORYLOCATION CONTENTINSET" -->January 11, 2010 - Jimi Hendrix only released four official studio albums during his lifetime. Monday, Sony Music and the Hendrix estate announced a new album, to be released March 9. It's called Valleys of Neptune.
Most of the songs on the new release were recorded in London in a series of 1969 sessions. Eddie Kramer, a longtime Hendrix engineer, was there.
"This was the year that Jimi was trying everything to find the right direction," he says. Kramer says the guitarist was experimenting, and came to Olympic Studios to try out some new material.
"Jimi was jamming with different musicians," Kramer says. "I think he had the concept of a new album that would follow from Electric Ladyland."
The tapes have languished in a London vault for the past 40 years. Kramer says he knew they were there and went to look for them with Janie Hendrix, Jimi's half-sister and the head of the Seattle-based company that controls the musician's estate. The new album is slated to be the first in a series of Hendrix music and DVD documentaries the company plans to release.
Kramer says he spent a year remastering the old analog tapes, using state-of-the-art digital technology to clean up the sound. But not too clean: Kramer says he was trying to bring out the essence of Jimi Hendrix.
"This is Jimi, when he plays the guitar, and it jumps out of the track. The hair on the back of my neck just stands up," he says. "It's so raw and in your face."
Kramer says hearing the tapes again was a bittersweet experience. He says Hendrix was not only a client but also a friend.
"He was the greatest guitarist I ever had the privilege of working with," he says.
 

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I read this online yesterday as well.
Should be awesome to hear.
Still put on my Hendrix once in a while to hear one of the best ever.
:103631605
 

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Little fun fact, Hendrix past Elvis for the most *posthumous* record sales ever.

(eventually Michael Jackson will surpass Hendrix, but still....)
 

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Some of my favorites:
Castle's Made Of Sand
Spanish Castle Magic
Hey Joe
3rd Stone From The Sun
Crosstown Traffic

The dude was not from this planet.
 

And if the Road Warrior says it, it must be true..
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<table border="0" cellpadding="1" cellspacing="1" width="760"><tbody><tr><td colspan="3" align="CENTER" width="760">
Jimi-Hendrix-Valleys-Of-Neptun-495895.jpg
</td> </tr> <tr> <td width="1">
dot.gif
</td> </tr> <tr> <td align="center">
</td> </tr> <tr> <td width="1">
dot.gif
</td> </tr> <!-- This point is the start of the bordered information area --> <tr> <td colspan="3" width="760"> <table style="border: thin double rgb(238, 238, 238); border-collapse: collapse;" bgcolor="#eaf0f7" border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td> <table border="0"> <tbody><tr> <td align="LEFT" valign="TOP" width="140">[FONT=Verdana, Arial]Tracklisting / Additional Info:[/FONT]</td> <td colspan="2" width="620"> <table border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <td>[FONT=Verdana, Arial]1. Stone Free
2. Valleys of Neptune
3. Bleeding Heart
4. Hear My Train a Comin'
5. Mr. Bad Luck
6. Sunshine of Your Love
7. Lover Man
8. Ships Passing Through the Night
9. Fire
10. Red House
11. Lullaby for the Summer
12. Crying Blue Rain

Recording details:-
1 recorded on April 7, 9, 14 and May 17, 1969 Record Plant Studios, New York
2 recorded on Sept 23, 1969 and May 15, 1970 Record Plant Studios, New York
3 recorded on April 24, 1969 at Record Plant Studios, New York
4 and 11 recorded on April 7, 1969 at Record Plant Studios, New York
5 recorded on May 5, 1967 at Olympic Studios, London
6, 7 and 12 recorded on February 16, 1969 at Olympic Studios, London
8 recorded on April 14, 1969 at Record Plant Studios, New York
9 and 10 recorded on February 17, 1969 at Olympic Studios, London
[/FONT]</td> </tr> </tbody></table> </td> </tr> <tr> <td valign="top" width="140">[FONT=Verdana, Arial]Availability:[/FONT]</td> <td colspan="2" valign="top" width="620"> [FONT=Verdana, Arial] Currently Unavailable - You can request the next copy of this item
FORTHCOMING IMPORT ITEM
[/FONT] </td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Release date:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]Tuesday 9 March 2010[/FONT]</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Year of Release:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]2010[/FONT]</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Artist:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]Jimi Hendrix[/FONT][FONT=Verdana, Arial] (click here for complete listing)[/FONT]</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Title:[/FONT]</td> <!-- <TD WIDTH="620" COLSPAN="2">Valleys Of Neptune (click here for more of the same title)</td> --> <td colspan="2" width="620">[FONT=Verdana, Arial]Valleys Of Neptune[/FONT][FONT=Verdana, Arial] (click here for more of the same title)[/FONT]</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Postage/Shipping:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]Add item to your basket for a postage/shipping quote[/FONT]</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Format:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]DOUBLE LP[/FONT]</td> </tr> <tr> <td align="LEFT" valign="TOP" width="140">
</td> <td colspan="2" width="620"> <table border="0" cellpadding="0" cellspacing="0"> <tbody><tr> <!--<TD></TD>--> <td>
</td> </tr> </tbody></table> </td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Record Label:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]Sony/Legacy[/FONT]</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Catalogue No:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]88697640591[/FONT]</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Country of Origin:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]USA[/FONT]
USA.gif
</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Language:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.[/FONT]</td> </tr> <!--// <TR> <TD WIDTH="140" ALIGN="LEFT" VALIGN="TOP"><FONT FACE="Verdana, Arial" SIZE="1">Date Added :</TD> <TD ALIGN="LEFT" VALIGN="TOP"><FONT FACE="Verdana, Arial" SIZE="1">18-Jan-2010</TD> </TR> //--> <tr> <td align="LEFT" valign="TOP" width="140">[FONT=Verdana, Arial]Condition :[/FONT]</td> <td colspan="2" align="LEFT" valign="TOP" width="620">[FONT=Verdana, Arial]This item is brand new.[/FONT]</td> </tr> <tr> <td align="LEFT" valign="TOP" width="140">[FONT=Verdana, Arial]EIL.COM Ref No [/FONT]</td> <td colspan="2" align="LEFT" valign="TOP" width="620">[FONT=Verdana, Arial]HEN2LVA495895 (quote this reference in any e-mails, letters, faxes or phone calls to help identify this item)[/FONT]</td> </tr> <tr> <td align="LEFT" valign="TOP" width="140">[FONT=Verdana, Arial]Genres:[/FONT]</td> <td colspan="2" align="LEFT" valign="TOP" width="620"> [FONT=Verdana, Arial] 60s Rock, 70s Rock, 70s Artists, Progressive, Psychedelic [/FONT] </td> </tr> <tr> <td align="LEFT" valign="TOP" width="140">[FONT=Verdana, Arial]Related Artists:[/FONT]</td> <td colspan="2" align="LEFT" valign="TOP" width="450">[FONT=Verdana, Arial]Beautiful People, Billy Cox, Buddy Miles, Eire Apparent, Ernie Graham, Mitch Mitchell, Noel Redding, The Rubber Band[/FONT]</td> </tr> <tr> <td width="140">[FONT=Verdana, Arial]Complete Stock List:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]Jimi Hendrix[/FONT]</td> </tr> <tr height="30"> <td colspan="1" width="140">[FONT=Verdana, Arial]email:[/FONT]</td> <td colspan="2" width="620">[FONT=Verdana, Arial]sales@eil.com to contact our sales team.[/FONT]</td> </tr> <tr> <td align="LEFT" valign="TOP" width="140">[FONT=Verdana, Arial]Alternative Names:[/FONT]</td> <td colspan="2" align="LEFT" valign="TOP" width="620">[FONT=Verdana, Arial]JIMMI HENDRIX,JIMI HENNDRIX[/FONT]</td> </tr> <tr> <td align="LEFT" valign="TOP" width="140">[FONT=Verdana, Arial]To order by phone:[/FONT]</td> <td colspan="2" align="LEFT" valign="TOP" width="620">[FONT=Verdana, Arial]Call 011-44-1474-815010 quoting EIL.COM reference number HEN2LVA495895[/FONT]</td></tr></tbody></table></td></tr></tbody></table></td></tr></tbody></table>
 

And if the Road Warrior says it, it must be true..
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Valleys of Neptune: like being there, in the studio, with Jimi Hendrix

Every take was a virtuoso performance. No wonder Neil McCormick adores a new album of lost versions.


Should we care about a supposedly new Jimi Hendrix album, principally comprising studio versions of live favourites and a couple of leftover originals not deemed good enough to previously crop up on any of the multitude of posthumous albums bearing his name? The short answer, perhaps surprisingly, is yes.
Forty years after his death, Hendrix might just be a face on a T-shirt, celebrated for his colourful image and short dramatic life – the stuff of rock myth. But that iconography has been effectively reinvigorated for successive generations because the music itself is so unsurpassed that it always sounds alive and of the moment.
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Hendrix released only three albums in a short burst of creativity between 1967 and 1970, but such was the mercurial brilliance of his live performances and his fascination with the studio that he left behind a treasure trove of material. It hasn’t always been treated with the greatest diligence and respect but, since the Hendrix estate wrested control of the master tapes from producer Alan Douglas and Warner/Reprise records in 1995, standards have risen.
The best of the posthumous albums is the 1997 double set, First Rays of the New Rising Sun, a serious attempt to compile the funk-flavoured psychedelic epic Hendrix was working on at the time of his death. That, too, gets a deluxe reissue by Sony this week and should constitute an essential part of the Hendrix canon, alongside Are You Experienced, Axis: Bold As Love and Electric Ladyland.
It would be foolish to argue that Valleys of Neptune is in the same league, but that hasn’t stopped me from enjoying every minute of it. It is drawn principally from two sets of sessions in the early months of 1969 (following the recording of Electric Ladyland, his masterpiece) that took place in the Record Plant in New York and Olympic in London, and really represents the last days of the Experience. It has been sympathetically cleaned up and mixed by Hendrix’s original engineer and long-standing curator, Eddie Kramer. The bulk of the album is made up of live staples laid down on four tracks with very few overdubs, perhaps just a tickle of funk guitar on a sprightly Stone Free, frenzied congas on a funked up Sunshine of Your Love and some stacked backing vocals.
The tracklist may tread familiar ground but if you pay attention you can’t fail to be drawn in by Hendrix’s bravura genius, the flicks and twists and bursts of improvisation that distinguish one performance from another. These rise above the obsessive collector’s anorak-ish fascination with the minutiae of alternative takes because, for Hendrix, every take was a genuine alternative, a performance of boldness and originality.
Simple blues songs such as Hear My Train a Comin’ and Bleeding Heart become a springboard for the guitarist to take flight, while a fast and furious Fire and slow-burning Red House demonstrate the chops of a band well drilled from touring, actually improving on studio originals. There is a slice of feedback and sustain five minutes into Bleeding Heart that is as utterly thrilling as any solo Hendrix ever recorded.
American musicians replace the Experience on that track and bassist Billy Cox crops up on a couple more, including a loose-limbed Stone Free and the previously unreleased title song, a funk and psychedelia sketch that hints at the new direction Hendrix was edging towards.
He was a primitive who was also a futurist, a man born of the blues, who utterly absorbed this simple, raw roots music and used it as a gateway to something new, fearlessly exploiting the undertones and overtones offered by electric amplification. Feedback, for so long considered the enemy of musicians, didn’t revolt Hendrix, it fascinated him. He could hear the music in it, and as he chased it, fresh avenues constantly opened up.
Towards the end of his life, this was taking him into jazz and funk terrain, and on the instrumental Lullaby for the Summer (featuring two guitar parts and an Octavia effects pedal) you can hear him working out something denser and more lateral, touching on the complexity and purity of Miles Davis (a piece that would later be reworked and posthumously released as Ezy Rider). The final track is another instrumental, Crying Blue Rain, a shimmering, taut blues that suddenly and bizarrely picks up to a gallop that goes nowhere a little bit too fast.
Thus the album ends, like Hendrix’s career, not with a bang but an unresolved fade. It feels unfinished, which itself feels curiously appropriate. But it doesn’t feel like a waste of time. There may have been technically more accomplished guitarists since, players who are arguably faster, cleverer, more precise, but Hendrix trumps them all because he was such an emotional player, so innately musical that his every touch brought the instrument to vivid life.

  • Valleys of Neptune (Sony) £12.99, is released on Monday
 

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The new Jimi song. I wish I could hear more of this album

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Here is another song. Figured out to just look up by song title.

This is GREAT


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that was a month ago...i've probably listened 10-12 times by now.
 

rock n' roll king
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Hendrix was so far ahead of his time it ain't funny.Such a talent lost way too young.
 

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